Freelance or Fulltime • On Site • Remote
Freelance or Fulltime • On Site • Remote
Inspiration can come from unexpected places. This badge was on a 1940's lens grinding device cabinet. How will enamel on metal translate to digital art?
Instead of reading the slides, consider telling the slides' messages. The PowerPoint presentation is likely to be distributed as a deck for the client to read. Will the message present well and read well?
Typography sets the feel. The mood, The overall style of any piece. Custom fonts can add a unique look to any company and their work. Creating the entire font will connect headers or copy. together with the logo in any campaign.
Photography, illustration, vector art, 3D CGI, AI, retouching... Imaging has a wide and varied choice of tools to produce results you've been picturing. Which to use when?
"Digital" is the catchall descriptive. Anything that's not on paper is digital. Specs change from one placement to the next. When creating digital media, think through all uses. Keep the files adaptable.
Print is tangible, something to hold, and feel. No computers or screens. Just pick it up. How does the piece look and feel? It can stand-alone or be a gateway to your digital presence
Size matters. Outdoor displays are viewed very quickly, from a distance. You've got seconds to get your idea across. You need "The Big Picture." Make it count with just a glance.
Preflight is where every, fine, little detail is double checked. Dimensions. elements. resolutions, color space. profiles. copy, charts. graphs.vector art. fonts, logos, brand standards, spreads. imposition. media, and final output. Last chance to check every detail before release.
This is that same page to keep everybody on. Set timelines. Know the touch-points. Who's in which role. Keep the client in the loop. Manage expectations. Answer all questions encountered. Settle issues when you have the job. Don't pass them off to the next tier.
Open communication from every team member to every other team member makes a team dynamic, effective, and productive. Use all of your resources. Respect everyone's input. Good ideas can come from anywhere. The team's work isn't done until the client says, "I love it." That's a win for the everyone on the team.
Most every publication maintains their own upload portal. Each can be different. Each can have different specs. Ink density. Screening. Color reproduction. This may be only proof you'll see. Get to know each Production Manager. Traffic management keeps the process moving smoothly.
Take the first step, and contact us to discuss your creative advertising or marketing goals. By the hour, project or the campaign. Send a message for a quick response.
Chicago, IL, USA
Production Artist | Designer | Project Manager 872-202-9200 erich@erichhaun.com
Experience:
Graphic Design, Branding, Logo Design, Typography , Display Ads, Brochures, Outdoor, Infographics, PowerPoint Decks, Web Landing Pages, Image Retouching, Team Leadership, Workflows, Scheduling, Budgeting, Printing, Fulfillment
Clients:
Ogilvy, Sandbox, Epsilon, Two x Four, MKTG, New Control, Catapult, Legacy, Marketing Support, Leo Burnett, JWT, DraftFCB, Saatchi & Saatchi, Palio/Adventiv, TMS, Noble & Associates, Burrell Communications, Claire’s, Beam Suntory, Terlato Wines International, Rubbermaid/Newell Brands
Adobe Creative Cloud, including InDesign, Photoshop, Illustrator, and Acrobat, Microsoft Office Suite, Google Docs, and Slides, Color Fidelity, Pre-flight, Examples, Mock-Ups, Final Output